An investigation of UK video censorship after the video recordings act was introduced.

An in-depth analysis of the "Video Nasty" scandal of the early 1980s in Britain.

20世纪80年代，北爱尔兰发生了一起奇特却令人不安的审查与抵制冲突案例。当时，媒体找到了一种解决办法，即对所有与爱尔兰共和军（IRA）和新芬党（Sinn Féin）的访谈进行配音处理。20世纪80年代，正值北爱尔兰新教徒与天主教徒冲突最为血腥的时期，极端保守的英国首相玛格丽特·撒切尔（Margaret Thatcher）颁布禁令，禁止给予……

This is the last and final part of Christian Dance Music Videos volumes/series. This feature contains different editions of music videos made in the remainder of 2014 and then non-stop productions in 2015 till August of 2015. The series features the main song 'Kobra' , the black hooded man sending messages to the Anti-Christ that the event is near the prophecy to be fulfilled of the parade of the anti-christ soon to come and the 2nd coming of Jesus will defeat the anti-christ. The trance club house remix is a dedication to the year 2014 as it was produced then with real life rituals of calling the dead and then continuing into 2015. The last 2 music videos then divert a bit from the main video theme, they are taken from Barham Boulevard The Musical, the miracles of Jesus Christ in resurrecting the dead still come into play and effect, real communication with the deceased is established with the blessings of Christ, Elisha, Elijah and Peter. Some unaffected raw clips are ritualistic ...

The second-half of the movie picks up in the present day, seven years later, with Ryan returning home from being on the road touring as a professional singer and Molly working at her father's corporation.

Faced with growing public odium and frequent lawsuits, the Rockefeller family is forced to change with the times as John D. Rockefeller's son and his descendants seek to rebrand the family name by focusing on philanthropy and politics.

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The show will invite guests each week and it promises innovative segments that have never been seen before designed to show the guests’ charming qualities.

Music videos for Britney Spears' third album, Britney, along with other performances and special features. On her third album the simplicity of the title belies the breadth and depth of each song, as the music deftly flows from pop to R&B, to lush balladry to funk and techno. The video illustrations of the hits "I'm A Slave 4 U" and "I'm Not A Girl, Not Yet A Woman" prove that Britney's signature style continues to cause a sensation and surprise at every turn.